Artist's studio, late afternoon, 56 X 46 oil on linen framed Joe Blundell you can’t help but be

you can’t help but be moved by the destruction and the waste

The painting evokes the stillness of a hidden riverbank

Whilst the film was about the destruction of lives in Cambodia

This work was inspired by a painting trip to Tasmania and the “killing fields” in the North

If you’ve ever stood in an expanse of logged forest

Artist's studio, late afternoon, 56 X 46 oil on linen framed Joe Blundell you can’t help but beThis is a study I painted in my studio looking through the window to the Plane trees outside the subject and muse for many of my paintings. I took some cuttings before the autumn took hold and arranged them as best I could on my old battered orange work chest.